Notes: [1] Carl-Theodor von Pfalz-Sulzbach, also known as Charles Theodore, was the Electoral Prince of the Palatinate and, later, the Electoral Prince of Bavaria. Theodor pursued the goal of building a scientific library with a collection of antiquarian literature. [2] Sold in their duplicate sale in 1832 for 350 guilders. [3] The provenance from the late 18th through the early 20th centuries is taken from Eric Marshall White, Editio Princeps: A History of the Gutenberg Bible (Harvey Miller Publishers: London, 2017), 132–133. This Gutenberg Bible was the source of all the so-called “Noble Fragments,” and the Morgan Library gives very similar provenance on their website for their fragment http://www.themorgan.org/incunables/145177. [4] The auction catalog with a reproduction of the first page of the fragment can be found at https://babel.hathitrust.org/cgi/pt?id=uc1.$b188254;view=1up;seq=3;size=200; the fragment is item number 215. It is clear from the reproduction that a small amount of paint from the initial R covers part of the rubricated word specialis above the R, which matches the appearance of Museum of the Bible’s fragment. The auction included the estate of the Pittsburgh bibliophile Hannah M. Standish, but since the catalog does not mention her bookplate being inside the front cover, it is doubtful that she ever owned it. [5] Ownership established from the dedication on the flyleaf inside the front cover. She was the second wife of the oil magnate Edward L. Doheny until his death in 1935. Edward Doheny was implicated in the Teapot Dome scandal, but never convicted; he also served as the inspiration for one of the characters in Upton Sinclair’s Oil!, which inspired the movie There Will Be Blood. [6] Presentation established by the dedication on the flyleaf inside the front cover. Cantwell was the first archbishop of Los Angeles, serving in this capacity from 1936 to 1947, having previously been the bishop of the Monterey-Los Angeles/Los Angeles-San Diego diocese since 1917. [7] It is unclear exactly when the seminary acquired the fragment. It was in their possession by 1956 when Don Cleveland Norman conducted research for The 500th Anniversary Pictorial Census of the Gutenberg Bible (The Coverdale Press: Chicago, 1961). It could have been as early as 1939, when Carrie Doheny presented it to Archbishop Cantwell, if he placed it there for safe-keeping. It could have been part of the archbishop’s estate in 1947. The seminary included it with other items that had belonged to Carrie Doheny in the seminary auction in 1988. [8] The Los Angeles Times reported on the auction of the Doheny collection: https://www.latimes.com/archives/la-xpm-1988-02-03-mn-27192-story.html [9] The acquisition date is uncertain, but occurred between Kraus’s death in November 1988 and December 1991, when the Schøyen Collection put it up for auction at Sotheby’s. The Sotheby’s catalog included a description of the calligraphic dedication on the frontispiece and credited Graily Hewitt as the calligrapher. https://books.google.com/books?id=H5kVAQAAIAAJ&q=Gabriel+Wells+noble+fragment+romans&dq=Gabriel+Wells+noble+fragment+romans&hl=en&sa=X&ved=0ahUKEwi-8I69oO7WAhWB7SYKHab7Bz4Q6AEIQzAF The fragment did not sell at this time.

PUBLISHED REFERENCES:

Eric Marshall White, Editio Princeps: A History of the Gutenberg Bible (Harvey Miller Publishers: London, 2017).

Steve Green, Jackie Green, and William High, This Dangerous Book (Harper Collins: New York, 2017).

Don Cleveland Norman, The 500th Anniversary Pictorial Census of the Gutenberg Bible (The Coverdale Press: Chicago, 1961).

Museum of the Bible Publications:

Jerry A. Pattengale, ed., Museum of the Bible Curriculum (Museum of the Bible and Compedia Software & Hardware Ltd., 2016–2017).

Jennifer Atwood and Stacey L. Douglas, eds., Passages: Exploring the Bible in Four Movements: An Exhibition Guide (Museum of the Bible, 2015), 14.